maroon 5 girls like you who are the girls

I guess focus was pretty easy once your AC had it centered on the subject? They just did 2 or 3 takes, because no one really had that much time. Once programmed, it became pretty simple for the talent. Craig Shumard is the owner/motion control tech. Pacific Motion Control was the company that supplied the motion control “dolly” rig, head, equipment and track. Who supplied the Motion Control rig for the circular move? As for viewing, we monitored the whole job in 4K on a Sony x300. That’s another nice thing about VENICE: we could “window” the sensor for 16:9 aspect ratio in Super35 4K. But we still had to manually pull focus on every take. The added depth of field definitely helped get everyone into focus-close up and far away. And I said, “Let’s give it a go.” When we looked at the footage, we realized that this was something that could really work well. I had a beta firmware of version 2 at the time. To hold the MoCo two shots, we used the Sony VENICE camera’s dual base ISO of 2500. Motion control (MoCo) was really the only viable option. We shot Maroon 5 together as a band, Adam by himself, then over the following days passes with Adam interacting with talent and finally the talent by themselves. We plotted where everyone would go so they could interact with each other and the lead singer, Adam Levine. It turned into a five-day non-consecutive shoot because of talent schedules. We knew we had to get all these actors at different times, because they would never be available on the same day.

So, we decided to design it as a motion control round track shot. The way Director David Dobkin conceived the shoot was to have actors coming in at different times but to make it feel like everyone was there at the same time.

Maroon 5 girls like you who are the girls